资源

It is the focus of this chapter to examine who Bible women were, why they were needed, what role they played in the Chinese church in the late Qing period, particularly from the 1860s to 1911, and how they overcame both their own limitations and those restrictions imposed on women by the various Protestant denominations.

The most important feature of this period was the of the spirit of independence in Chinese Protestant churches. This had barely begun in the nineteenth century, but it was a prominent theme
after 1900.

This article explores the gendered dimensions of Christian women missionary artists, specifically Beatrice McDowell Kitchen, Anna Kinney Morse, and Annie Fuller Dickinson.

This book is the first comprehensive study of anti-drug crusades in twentieth-century China. Zhou Yongming addresses the complexity of anti-drug campaigns by examining how modern Chinese nationalism and the needs of state building have shaped the ways in which these campaigns have been carried out.

This dissertation explores how specific actors such as French Catholic missionaries of the Missions Etrangères de Paris (MEP) translated and disseminated the universality of the Christian message into the particular context of northeast China from the 1830s to the 1930s, and how Chinese Catholic converts, especially, female converts, interpreted and transformed the Catholic faith as a language to articulate an awareness of self.

This dissertation explores how specific actors such as French Catholic missionaries of the Missions Etrangères de Paris (MEP) translated and disseminated the universality of the Christian message into the particular context of northeast China from the 1830s to the 1930s, and how Chinese Catholic converts, especially, female converts, interpreted and transformed the Catholic faith as a language to articulate an awareness of self.

By focusing on trends and persons involved in the modernization of China's publishing industry, this dissertation seeks to answer the question of how Shanghai's modern Chinese printers and publishers took advantage of a preexisting book market and created conditions that made this city a national center of intellectual life in the decades leading up to the Anti-Japanese War (1937-45).

This Sub-committee of the China Continuation Committee worked to promote the use of the National Phonetic system (zhuyin zimu 注音字母) throughout China to improve biblical and general literacy. Collection includes committee publications, teaching materials, bulletins and posters that convey Biblical messages using Chinese and phonetic script.

This dissertation explores how specific actors such as French Catholic missionaries of the Missions Etrangères de Paris (MEP) translated and disseminated the universality of the Christian message into the particular context of northeast China from the 1830s to the 1930s, and how Chinese Catholic converts, especially, female converts, interpreted and transformed the Catholic faith as a language to articulate an awareness of self.

By focusing on trends and persons involved in the modernization of China's publishing industry, this dissertation seeks to answer the question of how Shanghai's modern Chinese printers and publishers took advantage of a preexisting book market and created conditions that made this city a national center of intellectual life in the decades leading up to the Anti-Japanese War (1937-45).

In the late nineteenth and early twentieth centuries, China witnessed a veritable explosion of inexpensive visual images mass-produced for popular consumption, largely as a result of the import of Western print technology and advertising practices.

In this paper, a unique form of advertising, commercial calendars, are chosen for the semiotic analysis from a pool of over 150 pieces (more than 10% of those left today in the world).

本文企圖以一個整體性和趨勢發展的視角,來外析軍事化身體在近代中國的建構過程,以及激發和形成這種身體的根本緣由。透過本文的討論,我們將看到1928年的軍訓教育方案,其實並不是特定歷史的起點,而是更為綿延的歷史潮流中的一個高點而已。

Advertising in early 20th-century China played a central role
in turning Chinese people into consumers. Advertisements between 1921 and 1929 in Shenbao, one of the most influential newspapers ever published in China, were studied to identify discourses of gender within the overarching discourse of Chinese people as a consumer population. Four discursive formations were identified: (1) female and male as ungendered categories of the consumer population, (2) woman and man as citizens of China. (3) one happy family as a consumption unit, and (4) women as a special group of consumers.

A dissertation on the Kaiming Press in Republican Era China.

This Sub-committee of the China Continuation Committee worked to promote the use of the National Phonetic system (zhuyin zimu 注音字母) throughout China to improve biblical and general literacy. Collection includes committee publications, teaching materials, bulletins and posters that convey Biblical messages using Chinese and phonetic script.

Contemporary politicians and commentators understood this movement as an effective way to cultivate qualified citizens and to maintain social order in the power void caused by the retreat of the traditional rule of morality and the deficiency of the rule of law...

In the broader context of modern Chinese history, the New Life Movement stands out as a response to the intellectual and social mobilization that dominated Chinese politics in the twenties. Student and labor movements in the cities, and peasant movements in the countryside, represented the emergence of new social forces onto the political scene.

China's current experiences with globalism, localism, and advertising can be informed by a consideration of earlier encounters with these forces in Shanghai of the 1930s. In this paper, we examine a popular advertising medium of the time: the poster ad, or yuefenpai. These ads are analyzed semiotically, with a focus on the different ways in which the global transformed and was transformed by traditional Chinese culture in Old Shanghai. Implications for the role of advertising in transforming society are also discussed.

A dissertation on the Kaiming Press in Republican Era China.

A dissertation on the Kaiming Press in Republican Era China.

This dissertation focuses on the early twentieth-century Chinese artist Feng Zikai (1898-1975) and looks at the relationship between Feng’s artistic career and China’s new publishing industry, particularly the Kaiming Book Company (Kaiming shudian).

报告范围从1921年至1940年。