下列鏈接包括了一些相關的學術資料,以供您探索近現代時期中國海報的運用及視覺文化等主題。如欲查看完整列表,請點擊此處。
Biblical Stories
It is the focus of this chapter to examine who Bible women were, why they were needed, what role they played in the Chinese church in the late Qing period, particularly from the 1860s to 1911, and how they overcame both their own limitations and those restrictions imposed on women by the various Protestant denominations.
Evangelism
The most important feature of this period was the of the spirit of independence in Chinese Protestant churches. This had barely begun in the nineteenth century, but it was a prominent theme
after 1900.
Traditional Art
This article explores the gendered dimensions of Christian women missionary artists, specifically Beatrice McDowell Kitchen, Anna Kinney Morse, and Annie Fuller Dickinson.
This dissertation focuses on the early twentieth-century Chinese artist Feng Zikai (1898-1975) and looks at the relationship between Feng’s artistic career and China’s new publishing industry, particularly the Kaiming Book Company (Kaiming shudian).
Social Issues
This book is the first comprehensive study of anti-drug crusades in twentieth-century China. Zhou Yongming addresses the complexity of anti-drug campaigns by examining how modern Chinese nationalism and the needs of state building have shaped the ways in which these campaigns have been carried out.
Christian Instruction
This dissertation explores how specific actors such as French Catholic missionaries of the Missions Etrangères de Paris (MEP) translated and disseminated the universality of the Christian message into the particular context of northeast China from the 1830s to the 1930s, and how Chinese Catholic converts, especially, female converts, interpreted and transformed the Catholic faith as a language to articulate an awareness of self.
Nationalists
本文企圖以一個整體性和趨勢發展的視角,來外析軍事化身體在近代中國的建構過程,以及激發和形成這種身體的根本緣由。透過本文的討論,我們將看到1928年的軍訓教育方案,其實並不是特定歷史的起點,而是更為綿延的歷史潮流中的一個高點而已。
Contemporary politicians and commentators understood this movement as an effective way to cultivate qualified citizens and to maintain social order in the power void caused by the retreat of the traditional rule of morality and the deficiency of the rule of law...
In the broader context of modern Chinese history, the New Life Movement stands out as a response to the intellectual and social mobilization that dominated Chinese politics in the twenties. Student and labor movements in the cities, and peasant movements in the countryside, represented the emergence of new social forces onto the political scene.
This paper discusses the origins and the implementation of the New Life Movement (NLM) in the Jiangxi Province between 1934 and 1938. Based upon primary sources produced during this period, it explores how the Nationalist Party utilised the NLM for the purposes of national reconstruction and social mobilisation.
1900s
This dissertation explores how specific actors such as French Catholic missionaries of the Missions Etrangères de Paris (MEP) translated and disseminated the universality of the Christian message into the particular context of northeast China from the 1830s to the 1930s, and how Chinese Catholic converts, especially, female converts, interpreted and transformed the Catholic faith as a language to articulate an awareness of self.
It is the focus of this chapter to examine who Bible women were, why they were needed, what role they played in the Chinese church in the late Qing period, particularly from the 1860s to 1911, and how they overcame both their own limitations and those restrictions imposed on women by the various Protestant denominations.
By focusing on trends and persons involved in the modernization of China's publishing industry, this dissertation seeks to answer the question of how Shanghai's modern Chinese printers and publishers took advantage of a preexisting book market and created conditions that made this city a national center of intellectual life in the decades leading up to the Anti-Japanese War (1937-45).
In the late nineteenth and early twentieth centuries, China witnessed a veritable explosion of inexpensive visual images mass-produced for popular consumption, largely as a result of the import of Western print technology and advertising practices.
1910s
This Sub-committee of the China Continuation Committee worked to promote the use of the National Phonetic system (zhuyin zimu 注音字母) throughout China to improve biblical and general literacy. Collection includes committee publications, teaching materials, bulletins and posters that convey Biblical messages using Chinese and phonetic script.
This dissertation explores how specific actors such as French Catholic missionaries of the Missions Etrangères de Paris (MEP) translated and disseminated the universality of the Christian message into the particular context of northeast China from the 1830s to the 1930s, and how Chinese Catholic converts, especially, female converts, interpreted and transformed the Catholic faith as a language to articulate an awareness of self.
It is the focus of this chapter to examine who Bible women were, why they were needed, what role they played in the Chinese church in the late Qing period, particularly from the 1860s to 1911, and how they overcame both their own limitations and those restrictions imposed on women by the various Protestant denominations.
By focusing on trends and persons involved in the modernization of China's publishing industry, this dissertation seeks to answer the question of how Shanghai's modern Chinese printers and publishers took advantage of a preexisting book market and created conditions that made this city a national center of intellectual life in the decades leading up to the Anti-Japanese War (1937-45).
A dissertation on the Kaiming Press in Republican Era China.
In the late nineteenth and early twentieth centuries, China witnessed a veritable explosion of inexpensive visual images mass-produced for popular consumption, largely as a result of the import of Western print technology and advertising practices.
1920s
In this paper, a unique form of advertising, commercial calendars, are chosen for the semiotic analysis from a pool of over 150 pieces (more than 10% of those left today in the world).
This Sub-committee of the China Continuation Committee worked to promote the use of the National Phonetic system (zhuyin zimu 注音字母) throughout China to improve biblical and general literacy. Collection includes committee publications, teaching materials, bulletins and posters that convey Biblical messages using Chinese and phonetic script.
本文企圖以一個整體性和趨勢發展的視角,來外析軍事化身體在近代中國的建構過程,以及激發和形成這種身體的根本緣由。透過本文的討論,我們將看到1928年的軍訓教育方案,其實並不是特定歷史的起點,而是更為綿延的歷史潮流中的一個高點而已。
This dissertation explores how specific actors such as French Catholic missionaries of the Missions Etrangères de Paris (MEP) translated and disseminated the universality of the Christian message into the particular context of northeast China from the 1830s to the 1930s, and how Chinese Catholic converts, especially, female converts, interpreted and transformed the Catholic faith as a language to articulate an awareness of self.
Advertising in early 20th-century China played a central role
in turning Chinese people into consumers. Advertisements between 1921 and 1929 in Shenbao, one of the most influential newspapers ever published in China, were studied to identify discourses of gender within the overarching discourse of Chinese people as a consumer population. Four discursive formations were identified: (1) female and male as ungendered categories of the consumer population, (2) woman and man as citizens of China. (3) one happy family as a consumption unit, and (4) women as a special group of consumers.
By focusing on trends and persons involved in the modernization of China's publishing industry, this dissertation seeks to answer the question of how Shanghai's modern Chinese printers and publishers took advantage of a preexisting book market and created conditions that made this city a national center of intellectual life in the decades leading up to the Anti-Japanese War (1937-45).
A dissertation on the Kaiming Press in Republican Era China.
In the late nineteenth and early twentieth centuries, China witnessed a veritable explosion of inexpensive visual images mass-produced for popular consumption, largely as a result of the import of Western print technology and advertising practices.
1930s
This Sub-committee of the China Continuation Committee worked to promote the use of the National Phonetic system (zhuyin zimu 注音字母) throughout China to improve biblical and general literacy. Collection includes committee publications, teaching materials, bulletins and posters that convey Biblical messages using Chinese and phonetic script.
Contemporary politicians and commentators understood this movement as an effective way to cultivate qualified citizens and to maintain social order in the power void caused by the retreat of the traditional rule of morality and the deficiency of the rule of law...
This dissertation explores how specific actors such as French Catholic missionaries of the Missions Etrangères de Paris (MEP) translated and disseminated the universality of the Christian message into the particular context of northeast China from the 1830s to the 1930s, and how Chinese Catholic converts, especially, female converts, interpreted and transformed the Catholic faith as a language to articulate an awareness of self.
In the broader context of modern Chinese history, the New Life Movement stands out as a response to the intellectual and social mobilization that dominated Chinese politics in the twenties. Student and labor movements in the cities, and peasant movements in the countryside, represented the emergence of new social forces onto the political scene.
This paper discusses the origins and the implementation of the New Life Movement (NLM) in the Jiangxi Province between 1934 and 1938. Based upon primary sources produced during this period, it explores how the Nationalist Party utilised the NLM for the purposes of national reconstruction and social mobilisation.
China's current experiences with globalism, localism, and advertising can be informed by a consideration of earlier encounters with these forces in Shanghai of the 1930s. In this paper, we examine a popular advertising medium of the time: the poster ad, or yuefenpai. These ads are analyzed semiotically, with a focus on the different ways in which the global transformed and was transformed by traditional Chinese culture in Old Shanghai. Implications for the role of advertising in transforming society are also discussed.
By focusing on trends and persons involved in the modernization of China's publishing industry, this dissertation seeks to answer the question of how Shanghai's modern Chinese printers and publishers took advantage of a preexisting book market and created conditions that made this city a national center of intellectual life in the decades leading up to the Anti-Japanese War (1937-45).
A dissertation on the Kaiming Press in Republican Era China.
In the late nineteenth and early twentieth centuries, China witnessed a veritable explosion of inexpensive visual images mass-produced for popular consumption, largely as a result of the import of Western print technology and advertising practices.
1940s
A dissertation on the Kaiming Press in Republican Era China.
In the late nineteenth and early twentieth centuries, China witnessed a veritable explosion of inexpensive visual images mass-produced for popular consumption, largely as a result of the import of Western print technology and advertising practices.
Post-1949
The radical politics of the Cultural Revolution brought suffering and death to many, especially intellectuals. But still, the propaganda products from this time continue to thrive.
The propaganda poster is an art form filled with militancy and mass character that directly serves politics, production, the workers, peasants, and soldiers.
Publishers
This dissertation focuses on the early twentieth-century Chinese artist Feng Zikai (1898-1975) and looks at the relationship between Feng’s artistic career and China’s new publishing industry, particularly the Kaiming Book Company (Kaiming shudian).
A dissertation on the Kaiming Press in Republican Era China.
Advertising and Consumer Society
In this paper, a unique form of advertising, commercial calendars, are chosen for the semiotic analysis from a pool of over 150 pieces (more than 10% of those left today in the world).
Advertising in early 20th-century China played a central role
in turning Chinese people into consumers. Advertisements between 1921 and 1929 in Shenbao, one of the most influential newspapers ever published in China, were studied to identify discourses of gender within the overarching discourse of Chinese people as a consumer population. Four discursive formations were identified: (1) female and male as ungendered categories of the consumer population, (2) woman and man as citizens of China. (3) one happy family as a consumption unit, and (4) women as a special group of consumers.
China's current experiences with globalism, localism, and advertising can be informed by a consideration of earlier encounters with these forces in Shanghai of the 1930s. In this paper, we examine a popular advertising medium of the time: the poster ad, or yuefenpai. These ads are analyzed semiotically, with a focus on the different ways in which the global transformed and was transformed by traditional Chinese culture in Old Shanghai. Implications for the role of advertising in transforming society are also discussed.
Examines how advertising appropriates a dominant anticonsumerist political ideology to promote consumption within China’s social and political transition. Shows how advertising reconfigures both key political symbolism and communist propaganda strategies through a semiotic analysis of advertisements in the People’s Daily